Violins in Ghana
Breakthroughs and significant events deepened over 1960. Hitchcock gave the world "Psycho", Kubrick - collaboration with Kirk Douglas and their "Spartacus", and the USSR gave the world a genius, expressionist Andrei Tarkovsky. "Skating rink and violin" is a kind of test of the pen, in addition to the uncomplicated but dramatic story, this short film pleases with the camera work, playing with light and reflection. In general, a separate episode is given to the mirrors to show the possibilities of the frame and montage splices. It is not in vain that Tarkovsky will shoot The Mirror in the future.
The story seems to be an ordinary children's, school story about a small, talented boy. But the director slows down the frame, close-ups allow you to focus on objects in order to feel the emotions of the characters through them. From the obvious violin and construction roller to apple and loaf of bread. The hero Sasha is a lonely boy who faces the injustice of his peers, hides emotions inside himself and is torn from cowardice and courage.
The film offers the violini Violins in Ghana st various situations where courage and perseverance is needed, thereby forcing him to overcome fears and be confident in his actions. To be humiliated and insulted or to intercede for the weak yourself, because you went through something like that, not to take courage in a romantic impulse or to go on to contradictory actions without giving an account of the consequences? Choice is the boy's main companion. It is expressed in curiosity, in meeting the skating rink driver Sergei, in helping the weak.
Tarkovsky touches on the emotions of the child in order to get an adult personality in the final. The second plan is taken by the skating rink driver - an adult man, interacting with Sasha showing the main flaw in the boy's life - you make this conclusion on your own, the director does not reflect the marital status, only through the conversations and interaction of the boy with the man opens the big picture for the viewer.
Some shots are mesmerizing, and the character's impressions match the situation well, thereby allowing the viewer to go all the way with the main character. Dramatic notes in the finale will mark a step into adulthood, proving that decisions should be made on their own. Tarkovsky's school of life turned out to be excellent.
Tarkovsky's first short thesis work "Skating rink and violin" fits in its pitiful 45 minutes, as if it were his whole life. The director has a unique vision of this seemingly simple story, which, in my opinion, lies in the simple friendship of completely different people. Add to all this a brilliant sketch of the town, the hooligans that are on every street, the spirit of the times of the USSR. And everything seems to be fine until we see the ending of this tape.
How difficult it is, and indeed it is not correct, to be friends between a little boy and an adult man. That was the Soviet era, now everything is completely different. Well, different times, different opinions. But it seems to me that Tarkovsky already at that time built an accurate picture of reality. Do not forget about the collision of two opposite worlds. Here we have a musician and a hard worker, respectively, the intelligentsia and the working class. Which is also very interesting. In any case, the film is very good, even at the expense of the acting. I have no doubt that Tarkovsky passed his thesis perfectly.
Before us is the graduation work of Andrei Tarkovsky - a man who forever imprinted his name in the history of world cinema. And so, we have a wonderful opportunity to see where the path of the recognized genius began.
The picture begins, like many Soviet children's films about friendship, joy and kindness. I really expected that now some Hottabych would appear in the frame and lead a round dances with the kids. For me, such an atmosphere, very kind, light and therefore very naive, does not fit in with Tarkovsky, who shot such mood-heavy films as, for example, Ivan's Childhood or Andrei Rublev. And, probably, the main trump card of this picture is that here Andrei shows creativity that cannot be found in his other works.
Probably, everyone who has watched this tape will agree with me that the interest in it is caused only by the fact that the director is Tarkovsky. Take this tape off to some other director and it would most likely get lost in hundreds of other tapes.
On the other hand, the tape cannot be called boring or "completely passable". In fact, very
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